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Recurring Dream

by Jeff Tobias

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jacefromspace
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jacefromspace Absolutely stunning. Inventive but arrestingly personal at every turn. Thank you, Jeff Tobias, for this album.
Lars Gotrich
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Lars Gotrich A gorgeously dense, sometimes nervous response to time lost… or at least time spent interrogating the interior. Recurring Dream is an avant-pop solo album squarely in the vein of Deerhoof, latter-day Beauty Pill, Sad13, Chris Weisman and that period in the Downtown NYC scene when the avant-garde twisted popular forms. www.vikingschoice.org/archive/japanese-emo-spanish-street-punk-blackend-top-40/ Favorite track: Ghost Story.
Grant Stewart
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Grant Stewart This solo album is my favorite thing Jeff's been involved in. It's quite different from his past collaborations, but it all comes together coherently. Great stuff.
Michael Anes
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Michael Anes Jeff is great in every band. These tunes are markedly different.
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1.
By the time they figured out who the real fascists were it was too late All the ink had long since dried and all the trains had long since left the station Who is above loving a face they don't yet recognize Weep to think what could have been, but I guess that could be said about anytime Still it seems decisive things could've moved the needle; maybe not If only something from our very recent past could act as a warning - give us some vision - but our vision's left wanting But never again doesn't mean anything if it never stopped happening Who is above loving a face they don't yet recognize Give up some small sense of yourself and help smash the hateful tide
2.
He recalled a time when money was green When value had a weight, more than a mist, a dream His money lived in museums His money lived on a dot Somewhere in the ocean, working so he didn't have to He flew alone and he paid no cost His inner life was a tax write-off His trades were timed to the nano He forgot how to drive His remoteness from the real had eroded his mercy And he felt sick And he was He had money poisoning He had too much We're here to help You can't hide your love away You can't take it to the grave She set out to work around human rights She saw them as commodities caught for a price She found her stride in consulting The public sector as well Incidentally she never helped a single person She dreamt in crimson, she exhaled frost She spoke the language of veritas She joined the board of directors For something perfectly vague Two years later it all fell apart but our girl was golden But she felt sick And she was She had money poisoning She had too much We're here to help Expropriation You can't hide your love away Expropriation You can't take it to the grave Got to give it up It's not so much that we need it though we do Got to give it up It's more that you can't be trusted We ditched the kings once before, let's get that haircut adjusted
3.
4.
Living in this world makes me fucking sick She said And I knew how she felt, yes I knew how she felt Or something like it And so I told her about the recurring dream Rope round the neck, the jaw is firmly clenched The air is thin Body divorced from the floor But not kicking towards hell Where the earth should pull it repels Rise away Fly away Fall away and towards the sky The hanging man falls away from the floor From this tower it seems one can really see Everything But how did we all get So crazy far away The hanging man falls away from the floor You saw control where there was only death So wrong You make me cry If I could touch your face If I could just reach out From the living space Rise away Fly away Fall away Rise away and towards the sky
5.
Transparency 05:58
Daily life Living in the breach Too content Too cynical to speak Can you hear that sound Oscillating between the lost and the found Can you hear that voice Communicating as if it had a choice Innocent And docile by default Free by choice You're the signal and the noise Can you hear that sound Oscillating between the lost and the found Can you hear that voice Communicating as if it had a choice Do you feel that hand Tracing your mouth, drawing lines in the sand The dry landscape Bereft of content, impossible to escape Holds you tight Brightly lit Always tense Transparency Given up Without pause What's the harm Captivity Now think back Who could've mentioned that You're nothing to fear At least not these last few years At a moment's thought One's heart's desire, but the moment's thought is caught What was on your mind Spoken or signalled, somehow they can find the time For the panic and fear Never acknowledged save for the eyes of our peers A private cross Borne of a freedom quickly won and quickly lost Holds you tight Brightly lit Always tense Transparency you never wanted this if not for their perverse incentives, yeah Given up Without pause What's the harm Captivity your information didn't ask for freedom freedom from your skull
6.
Don't you feel just an ounce of pride as the sky is getting dark You see yourself in the subway ads and the city council did their part You thought you'd die before you saw a world where you were safe But which world were you hiding from in the first place, first place They wouldn't use that word if they knew what it meant They shouldn't fuck with us, yeah I'll call it a threat Don't you feel just a little used as you catch the bait and switch No one ever threw a brick cos they wanted to get rich It's getting better, I know it's getting better, but it's cheaper at the same time But what I do is my business, and my business ain't theirs to mind What price freedom Flip cards, read ‘em Have you ever felt cheated They wouldn't use that word if they knew what it meant Don't fuck with us, yeah I'll call it a threat They wouldn't use that word if they knew what it meant They can't market to us while they're biting the curb Doesn't it feel odd The problem that you kept down low but for the fear of death Is being sold back to you Counterculture was just another way of keeping up appearances A boy's club and a dead dead scene And I'm invisible now Living like a fraud and caught between the dead and capital Alone with my hang-ups But where do culture's waters end Am I luckier than most and what do I owe them When institutions criminalize peoples' inner lives Sometimes privacy is loneliness or company is crowding and that's why I'm moving to Miami
7.
Venezuela 04:28
What went down in Venezuela Two twin drones minor invasion Settle down Explosions were heard before they saw what they were in for Consumer grade, but loaded up with C-4 A tentative fear entered his eyes as we last saw them Right before security forces caccoon-ed him in kevlar What went down in Venezuela Two twin drones minor invasion No one knows You started out strong but soon enough started to crumble But looking back not everyone was in your corner Your dreams masquerade as memories and it keeps getting harder To live in a world that feels so large as to induce nausea, nausea Turns out text as architecture burns as well as plaster But what did you expect seeking protection on the record And when even thin ideas look good on paper you seek something deeper So you pick up your telephone and call your ex-tarot reader She puts a card onto the table, flips it over It says: you don't really know yourself at all But that's the good news But does St. Peter has a scorecard of your sins Settle down
8.
Ghost Story 04:44
There is no turning back This machine is just one wheel turning There is no turning back Before one wall can fall, there are bodies burning There is no turning back Any alternative would be worse and either way there's no No turning back And there's no mistaking How they spell it P R O G R E S S : it's just another way to spell BODY BAG fourteen thirteen twelve eleven ten nine eight Please be serious, man! It's just another way to spell BODY BAG seven six five four three two one uh Please be serious, man! You must be serious, man! • Market distortion • Guaranteed autonomy • Prayers for self-destruction • Essentially, technologies used for hunting people P R O G R E S S : it's just another way to spell BODY BAG twenty-eight twenty-seven twenty-six twenty-five twenty-four twenty-three twenty-two Please be serious, man! It's just another way to spell WRECKING BALL twenty-one twenty nineteen eighteen seventeen sixteen fifteen Please be serious, man! It's just another way to spell CAPITAL fourteen thirteen twelve eleven ten nine eight Please be serious, man! It's just another way to spell marginal seven six five four three two one uh
9.
10.
Self-portrait in a convex mirror Or just another season in hell We didn't want to arm the ramparts But someone had to Moving forward by our own volition An equal distribution of blood On our hands, in our hearts, up and running now Full speed into the dark Self-portrait in a convex mirror You said you weren't afraid of the future Maybe that's part of what's wrong Guaranteed going straight down the middle now Ghosts in the sidecar Self-assured but you know there's a problem But no one can agree on what's wrong Success means never knowing how sorry you look Even with the clarity of alarm Self-portrait in a convex mirror
11.
Self-portrait in a convex mirror Or just another season in hell We didn't want to arm the ramparts But someone had to Moving forward by our own volition An equal distribution of blood On our hands, in our hearts, up and running now Full speed into the dark Self-portrait in a convex mirror You said you weren't afraid of the future Maybe that's part of what's wrong Guaranteed going straight down the middle now Ghosts in the sidecar Self-assured but you know there's a problem But no one can agree on what's wrong Success means never knowing how sorry you look Even with the clarity of alarm Self-portrait in a convex mirror

credits

released January 7, 2022

Jeff Tobias: voice, synthesizers, bass guitar, alto & tenor saxophone, clarinet, bass clarinet, piano, electric & acoustic guitar, autoharp, tapes, drum programming, trombone, percussion

with

Cory Bracken: vibraphone, percussion
Nick Podgurski: drums

and

Fatherdude: vocals on 5
Max Katz: flute on 3, 7, 8
Amirtha Kidambi: backing vocals on 2
René Kladzyk: backing vocals on 1, 6
Jordan McLean: trumpet on 2
Becky Lovell: backing vocals on 4
Jason Robira: percussion on 9
Dave Ruder: backing vocals on 2, 8
Naoko Uno: backing vocals on 8

Recorded Dec 2019-Nov 2020
Drums recorded at Oceanus by Matt Walsh
All else recorded by Jeff Tobias, Jon Erickson, or the guests themselves

Mixed at Studio Windows by Jonathan Schenke
Mastered by Joel Hatstat
Cover photo by MV Carbon
Layout by Peter Kerlin

Fatherdude appears courtesy of Deathrocket Records

© & ℗ 2021 Jeff Tobias / Strategy of Tension Music

Thank you: all of the contributing artists, Alexis Bertholt, Bill Brennan, Jack Cooper, Luke Fields, David First, Michael Hammond, Kerry Jones, Molly Kerker, Mike McCurdy, Jim McHugh, Sam Morrison, Samantha Paulsen, Bill Roe, Lisa Roe, Roulette, Scott Smith, Andie Tanning, the extended Tobias Family, Ian Wayne, Joe White

Special thanks to Cory Bracken, Nick Podgurski, Dave Ruder, Joe Sidney, Grant Stewart, Jamie Tobias, and Lynne Tobias

Dedicated to Mel Tobias

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about

Jeff Tobias Queens, New York

Multi-instrumentalist and composer. Member of Sunwatchers, Modern Nature, Thee Reps, et cetera.

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